![]() ![]() Werner's work with Ghostface Killah, CocoRosie, Lee "Scratch" Perry, Cibo Matto, PopCaan, James Brandon Lewis, Matisyahu and Tunde Adebimpe has cemented this musician, producer and songwriter's status as a low-end heavyweight. Laswell's production endows this sonic journey with a vast sense of space, painted in an array of colors as boundless as the producer's own palette. The wide array of influences on Mode for Titan reflects Werner's vast experience and diverse skill set, yet the music maintains an introspective focus and understated minimalist beauty. Producer Bill Laswell helps steer seasoned composer and performer (and abstract painter) Werner through novel instrumental territory, including the sitar bass, seven-string bass and fretless bass. Writing on - and exclusively for - the bass, Josh Werner explores new dimensions of composition and improvisation, effortlessly moving through varying sonic textures, all without a conventional rhythm section. Here was a Hasidic Jew - dressed in a black suit with a broad-brimmed black hat worn over a yarmulke, and sporting a full, untrimmed beard - who nevertheless performed toasting raps about the glories of traditional Judaism over reggae beats in a dancehall style. Now, nearly thirteen years after the release of his first studio record, Matisyahu and his band have done something unmatched in his past repertoire they have crafted that journey into a musically thematic eight-song-movement. Mode for Titan proves that the bass is a melodic and ambient force in its own right. When Matisyahu emerged in 2004 with his debut album, Shake Off the Dust.Arise, his musical persona seemed to some a novelty. Singer-songwriter Matisyahu has been on a journey inward for more than a decade. ![]()
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